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MOVIE REVIEW

Metropolis / 1927

There can be no understanding between the hands and the brain unless the heart acts as mediator.

8.1 / 10 (3,075 votes)
PG
148 minutes
DIRECTOR Fritz Lang
WRITERS Fritz Lang, Thea von Harbou
CAST Gustav Fröhlich, Brigitte Helm, Alfred Abel, Rudolf Klein-Rogge, Theodor Loos, Fritz Rasp, Erwin Biswanger, Heinrich George, Fritz Alberti, Grete Berger, Olly Boeheim, Heinrich Gotho, Gottfried Huppertz, Georg John, Margarete Lanner
PRODUCTION UFA
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REVIEW & SYNOPSIS

Sinopsis

Metropolis adalah sebuah Drama, Science Fiction yang dirilis pada tahun 1927. “There can be no understanding between the hands and the brain unless the heart acts as mediator.” Film ini disutradarai oleh Fritz Lang dan dibintangi oleh Gustav Fröhlich, Brigitte Helm, Alfred Abel, Rudolf Klein-Rogge, Theodor Loos.

Metropolis menghadirkan cerita yang mendalam tentang perjuangan, konflik, dan resolusi yang memukau. Dengan alur yang terstruktur dengan baik, film ini berhasil membawa penonton dalam pengalaman sinematik yang tak terlupakan.

Dari segi teknis, Metropolis menawarkan sinematografi yang memanjakan mata, tata suara yang imersif, serta akting yang meyakinkan dari para pemerannya.

Secara keseluruhan, Metropolis adalah Drama yang layak masuk dalam daftar tontonan Anda. Film ini tidak hanya menghibur tetapi juga memberikan pesan moral yang mendalam.

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COMMUNITY REVIEWS FROM TMDB

Gurre 10/10
May 31, 2014

Metropolis is one of the greatest films ever made. It's amazing set design, brilliant cinematography, groundbreaking special effects and futuristic story truly makes it one of the must-sees in cinema! It is set in the future, in a city called Metropolis where the citizens are divided into two groups: workers (who live under the ground and are working 10 hour shifts by enormous machines that keeps Metropolis working) and the royals (living in luxury in the great city on the surfice). And over them all, is the creator of Metropolis: Joh Fredersen (Alfred Abel). His son Freder (Gustav Fröhlich) falls...

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CinemaSerf 8/10
June 6, 2022

This has got to be the ultimate cinematic illustration of the strata of human existence. Whether it be a story of the survival of the fittest; the cleverest; the most devious; most beautiful - or a hybrid of some/all - it reflects poignantly how humanity always seeks to exist within a hierarchical structure (merited or otherwise, but perfectly epitomised here by the matriarchal, deific robot), but how much more effectively mankind can succeed if it accepts and values everyone and works together. It also clearly identifies the perennial problem of those with the brain always ending up far more successful,...

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