Flatliners Poster
MOVIE REVIEW

Flatliners / 2017

You haven't lived until you've died.

5.6 / 10 (2,378 votes)
15
111 minutes
DIRECTOR Niels Arden Oplev
WRITERS Ben Ripley, Peter Filardi
CAST Elliot Page, Diego Luna, Nina Dobrev, James Norton, Kiersey Clemons, Beau Mirchoff, Wendy Raquel Robinson, Kiefer Sutherland, Madison Brydges, Jacob Soley, Anna Arden, Miguel Anthony, Jenny Raven, Charlotte McKinney, Steve Byers
PRODUCTION The Safran Company, Columbia Pictures, Cross Creek Pictures, Furthur Films, Laurence Mark Productions
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REVIEW & SYNOPSIS

Sinopsis

Flatliners adalah sebuah Drama, Horror, Thriller yang dirilis pada tahun 2017. “You haven’t lived until you’ve died.” Film ini disutradarai oleh Niels Arden Oplev dan dibintangi oleh Elliot Page, Diego Luna, Nina Dobrev, James Norton, Kiersey Clemons.

Flatliners menghadirkan cerita yang mendalam tentang perjuangan, konflik, dan resolusi yang memukau. Dengan alur yang terstruktur dengan baik, film ini berhasil membawa penonton dalam pengalaman sinematik yang tak terlupakan.

Dari segi teknis, Flatliners menawarkan sinematografi yang memanjakan mata, tata suara yang imersif, serta akting yang meyakinkan dari para pemerannya.

Secara keseluruhan, Flatliners adalah Drama yang layak masuk dalam daftar tontonan Anda. Film ini tidak hanya menghibur tetapi juga memberikan pesan moral yang mendalam.

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COMMUNITY REVIEWS FROM TMDB

Frank Ochieng
September 30, 2017

There is always a risk involved when revisiting cinema from the past and dusting it off in favor of an ambitious remake for the consideration of today’s adventurous movie-going audience. Hollywood has done this tactic for decades now so this is nothing new to contemplate as food for thought. It is one thing to try and bring back the freshness and impact of the original blueprint from yesteryear for a distinctive film that proved to be critically acclaimed, extremely popular, conveniently trendy and memorable for it box office heyday. So what gives for trying to resuscitate a mediocre 1990 Brat...

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Gimly Avatar
Gimly 4/10
January 24, 2018

I thought the original _Flatliners_ was okay, but I was never a big fan. That said, I was still at least partly on board for the potential of a _Flatliners_ TV series. That idea was abandoned in favour of a straight up film-remake, but still I was interested if for no other reason than the cast. The end result? This one's even worse than the original. _Final rating:★★ - Had some things that appeal to me, but a poor finished product._

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John Chard Avatar
John Chard 6/10
July 22, 2018

Line of flatness for fans of the original - for others not so much. Strictly on a personal level, I always felt that the original Flatliners was average at best. A missed opportunity to use the premise for frightening results, to unnerve, unhinge, whilst intelligently examining the life after death question. So when news of this 2017 remake broke I wasn't in the least bit surprised, the idea at the narrative core was ripe for further filmic delvings. Niels Arden Oplev's 2017 version is itself problematic, and a long way from being all the things I so wanted from the...

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GenerationofSwine Avatar
GenerationofSwine 1/10
January 12, 2023

So this is like Flatliners... only its not as scary because modern audiences. And it doesn't offer the same satire because modern audiences. And it gender-swapped the main character because modern audiences. And because of the Swap she couldn't be as dynamic because that would show weakness and yadda yadda yadda so you end up not really caring because she never comes across as a real person, just checked boxes. And in the end you have wasted a chunk of your life again because you Millennial wife thought it might be cool to watch the remake of one of the...

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Alunauwie 7/10
September 30, 2025

Though often mistaken as a remake, Flatliners (2017) functions more as a spiritual sequel to the 1990 version, retaining only the core idea of near-death experiments. The film offers a fresh cast and plot but suffers from shallow character development and a rushed narrative. Despite strong performances—especially from Elliot Page—the execution lacks the depth and coherence of its predecessor. Misleading marketing and weak story connections to the original likely fueled unfair comparisons. Taken on its own, it’s watchable, but far from exceptional. Read the full review here: (Indonesian version : alunauwie.com) and (English version : uwiepuspita.com)

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